Pasko sa Amerika Order CD Program Notes I.P. Rondalla

Program Notes for Pasko sa Amerika

 

Pasko Sa Amerika follows the group's first release, Crossing Over, a collection of folk songs and original arrangements and compositions recorded in 1994 that reflects the Filipino American roots of the group. In this spirit, most of the arrangements in Pasko Sa Amerika are original and offer a fresh take on classic Christmas songs beloved in both the Philippines and the U.S. Maligayang Pasko and happy listening!

Notes from CD

1. Pasko Na Naman (Felipe de Leon)
“Pasko Na Naman” is an upbeat song reminding everyone that Christmas is a season to celebrate with music and to give love to one another.
2. Sa Maybahay (Traditional)
This is a popular traditional tune usually  sung as an opening song for the carolers. It is a way of asking "permission" to carol someone’s home at Christmas time.
3. Silent Night (Franz Gruber)
The world’s most sung and perhaps most beloved Christmas carol was written with a guitar accompaniment only. This was done because the pipe organ broke down before the church service started. Franz Gruber, a German composer, saves the night by playing his composition with the guitar.
4. Angels We Have Heard on High  (Traditional French Carol)
This traditional piece was arranged for rondalla from a choral arrangement made for the Iskwelahang Pilipino Christmas carolers.
5. Sa Paskong Darating (Traditional)
This song celebrates the coming Christmas with candy and chocolate and all of the things that make it a wonderful time of year.
6. Pastores/Maupay nga Pasko  (Traditional Waray)
Pastores is a "musical theatre on the go " that moves from one house to another and is very popular in the province of Leyte. It normally consists of three short scenes. The first, the nativity, features songs like “Sumilang na ang Mesiyas.” Next, the talent show serves as a platform for the town’s best dancers, actors, singers and comedians. Finally, there is a short skit, normally using the theme of courtship and romance, that may showcase comical caricatures of local public officials.
7. Payapang Daigdig (Felipe de Leon)
Filipino composer and National Artist Awardee Felipe Padilla De Leon wrote “Payapang Daigdig” the morning after he saw that bombs during the Second World War had leveled the entire city of Manila.
8. Sumilang Ang Mesiyas  (Lucio San Pedro)
This piece begins with the ringing of bells and declares that the Messiah is born.
9. Fanfare (Christi-Anne Castro)
Fanfare is a song written to "welcome" our listeners and share with them the joy we feel when we make music together.
10. God Rest Ye Merry Gentlemen (18th Century English Carol)
Our arrangement has transformed this Christmas classic into a contemporary piece.  
11. Himig Pasko  (Lucio San Pedro)
A very simple and engaging tune in the style of an Italian "Pastorale."
12. Air On a G String (J.S. Bach)
This is one of the most beautiful melodies ever written. It is a perfect combination of elegance, eloquence, and charm.  This immortal tune is normally performed by Western classical instruments. Perhaps some may not be able to reconcile how this can be effectively performed with an ensemble of plucked instruments such as the bandurias, octavinas, guitar, and pizzicato bass. We invite you to listen to this adaptation for the rondalla with your heart and ears wide open.
13. Ang Pasko Ay Sumapit (Traditional)
A very lively tune announcing the coming of Christmas and the birth of our savior.
14. Mano Po, Ninong /Here We Come A wassailing
This arrangement brings together two songs about different but similar Christmas traditions. In the Philippines, children travel to the homes of their godparents to greet them and receive little gifts of money. Likewise, one of the traditions of wassailing is to bring a bowl of apple liquor from house to house during Twelfth Night, sometimes resulting in the offering of money.
15. Simbang Gabi (Midnight Mass)
This Christmas song tells about the Pilipino custom of going to mass every day at dawn from December 16 until the day of Christmas eve. This was believed to have started so that farmers could go to mass before working in the fields.  This custom has become an early morning social event, providing a perfect opportunity for young single men and women to enjoy a moment of romance. After mass, the people usually gather for a breakfast of native delicacies from vendors that surround the church during this festive season.

List of Performers

Christi-Anne Castro, Bandurria
While serving as musical director for the group, Christi-Anne has tried her hand at teaching, composing, and arranging traditional and non-traditional songs for rondalla. She has played octavina, piccolo banduria, banduria, bamboo flute, piano, and saxophone with the Ensemble; and although during an emergency she once played the upright bass in performance, nobody could see her standing behind it. Currently, Christi-Anne is a Ph.D. candidate in ethnomusicology at the University of California, Los Angeles and has conducted field research in the Philippines for her dissertation.

Trish Endriga Brown, Bandurria
After 12 years as a student at Iskwelahang Pilipino, Trish graduated in 1989. Originally a dancer and vocalist, she transitioned to playing in the Ensemble in 1987. She has performed numerous concerts across the country and traveled with the Ensemble on two international tours playing the banduria and octavina. Trish plays laud and bandurria for IP Rondalla West. Between performances, she enjoys cold bowls of ginataan and long runs around her neighborhood in Tracy, CA. Trish works at Commerce One in human resources and was recently married in June 1999.

Paul Castro, Octavina / Guitar
Paul toured extensively in the early 90s with the Ensemble - as a roadie carrying his sister's saxophone. Inspired by the music around him, he taught himself to play guitar and octavina and has since performed in various venues on the east and west coast. He made his performance debut with the Ensemble in 1995 and joined the group for its 1998 tour of the Philippines. He still happily carries his sister's instruments along with his own. Paul finally finished his doctorate in Computer Science from UCLA and is currently a researcher at the IBM T.J. Watson Research Center in New York.

Cynthia Endriga, Bandurria
Originally from Grafton, MA, Cynthia relocated to the San Francisco Bay Area in 1996. A former folk dance teacher at Iskwelahang Pilipino, Cynthia coaches the rondalla on the choreography that IP Rondalla West incorporates into its performances. Cynthia has played banduria II for 15 years. She currently lives in San Francisco and works at Stanford University in Palo Alto, CA as a Publications and Multimedia Services Specialist.

Edward Endriga, Guitar
Eddie literally grew up in the Iskwelahang Pilipino community. Beginning as a toddler and eventually graduating from the school in 1993, Eddie has spent many years as a student, a dancer, and a musician with the group. A rondalla guitarist since 1988, Eddie has performed throughout the East Coast and joined the Ensemble for all three of its international tours. He currently lives and works in Northern California playing basketball in his spare time.

Eric J. Liwanag, Bass / Bandurria
Eric began playing banduria in 1987. In 1990 and 1998, he accompanied the group on concert tours of the Philippines playing banduria II. In 1994, Eric toured Europe with the Ensemble playing octavina. He taught beginner rondalla at Iskwelahang Pilipino in 1995 before moving to California in 1996. Eric currently plays bass with IP Rondalla West, but still periodically sneaks in and plays banduria or octavina on occasion. While working in software sales in San Francisco, Eric is also the Music Director for the community a cappella group, San Francisco Harmony, a project of the Urban Harmony Movement.

Other names pending.....